In the world of Native American jewelry, few terms carry as much weight and reverence as old pawn. Even though we do not sell old pawn jewelry in our store, we believe it’s important to understand what it is, why it matters, and how it differs from modern pieces inspired by its look. Old pawn jewelry represents a deeply personal chapter in Native American history—one rooted in survival, craftsmanship, and lived experience rather than commercial production.

Gregory Segura is an award-winning precious metals artist and a lifelong resident of Santa Fe, New Mexico. His work is widely recognized for its technical excellence, material integrity, and cultural depth, reflecting both his Spanish and Native American heritage as well as the long tradition of silversmithing in the Southwest.

Every piece of jewelry has a story, and few stories are as rich and inspiring as that of Don Lucas, one of the most respected names in Southwestern sterling silver jewelry.

Behind every piece of authentic Native American jewelry is a story—of family, tradition, and hands that have learned their craft over generations. One of the artists we are honored to feature is Monica Smith, a Navajo silversmith whose work reflects both heritage and heart. Monica Smith lives in Gallup, New Mexico, and is proudly Navajo. Her journey as a jewelry maker began at a remarkably young age.

Each Kachina doll represents a distinct mythological character, and recognizing them comes from understanding the unique combinations of facial features, colors, clothing, and symbolic elements that define their role and personality.

When shopping for authentic Native American jewelry, you’ll often see names like Navajo, Hopi, Pueblo, and Zuni. While these cultures share geographic ties to the American Southwest, they are distinct peoples with their own histories, traditions, languages, and artistic identities. Understanding these differences deepens appreciation for the jewelry itself—and honors the artists who create it.

Few symbols are as instantly recognizable in New Mexico as the Zia. Seen on the state flag, architecture, pottery, and jewelry, the Zia has become an emblem of New Mexico itself. But long before it represented a place, the Zia symbol carried profound spiritual meaning—one that deserves respect and understanding.

When you purchase authentic Navajo or Native-made sterling silver and turquoise jewelry, you are doing far more than buying something beautiful. You are investing in tradition, supporting a living artist, and helping ensure that centuries-old techniques continue into the future. This jewelry is not mass-produced. It is wearable art.

Nestled on the historic Santa Fe Plaza, the Palace of the Governors stands as one of the oldest public buildings in the United States and a cherished symbol of the Southwest’s layered history. But long before it became a museum and National Historic Landmark, this adobe structure was the center of trade, cultural exchange, and community life in what would become New Mexico.

Eddie Secatero Jr. is a Diné silversmith whose work reflects both family tradition and personal dedication to craft. Born in Albuquerque, New Mexico, Eddie was introduced to silversmithing at a young age by his parents, Agnes and Eddie Secatero. Learning directly from family instilled not only technical skills, but also an understanding of jewelry as a meaningful cultural practice rather than a purely decorative art. While attending To’hajiilee Community School, Eddie continu

Vincent Joe Platero, Sr. is a highly respected Navajo silversmith whose work is immediately recognizable for its precision, depth, and unmistakable personal style. Born in Albuquerque, New Mexico in 1957, Vincent grew up on the Navajo reservation of To’hajiilee, where silversmithing was not simply a craft, but a family legacy passed from one generation to the next.

There are few places in Santa Fe where the day ends quite as beautifully as it does at the Bell Tower Bar at La Fonda on the Plaza. Perched above the historic heart of the city, the rooftop offers a front-row seat to one of northern New Mexico’s most memorable nightly rituals: the sunset.

Betty Tom is a Navajo silversmith known for her dedication to traditional cluster work—one of the most recognizable and technically demanding styles in Navajo jewelry. Born and raised in Thoreau, New Mexico, Betty’s life and artistry are deeply tied to her community, family, and the enduring silversmithing traditions of the Southwest.

Born in Twin Lakes, New Mexico in 1966, Daniel “Sunshine” Reeves was raised within a family of accomplished New Mexico silversmiths. He learned the art of silversmithing at the age of 24 from his older brothers, Gray Reeves and David Reeves—both respected artists in their own right. From this strong familial foundation, Sunshine Reeves went on to become one of the most distinguished and influential Navajo silversmiths in the country.

Long before modern borders or highways, the high desert of New Mexico was home to sophisticated Indigenous civilizations whose architectural skill, spiritual depth, and environmental knowledge still shape the region today. Scattered across mesas, canyons, and volcanic cliffs, ancient pueblos and cliff dwellings offer a powerful window into lives lived in balance with land and sky. Visiting these places is not just sightseeing—it is an encounter with resilience, ingenuity, and

We often receive questions asking whether a piece seen on our website is still available. The answer is simple: If a piece is visible on our website and is not marked “Sold,” it is available for purchase.

Silver is no longer just a precious metal associated with jewelry, coins, or heirloom objects. In 2025 and moving into 2026, it has become one of the most strategically important materials in the global economy. Prices have climbed sharply, and much of that momentum comes from two powerful forces reshaping the modern world: the rapid expansion of solar energy and the explosive growth of artificial intelligence.

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Preston Haley is a Navajo (Diné) silversmith whose work is widely appreciated for its strength, balance, and respect for traditional craftsmanship. An enrolled member of the Navajo Nation, Haley comes from a family of silversmiths, where jewelry-making knowledge is passed down through close observation, shared experience, and years of hands-on practice. This family foundation continues to shape both his technique and his approach to design.

Some pieces are accents. Others are anchors. Navajo Pearls belong firmly in the latter category. For collectors of Native American jewelry, Navajo Pearls are not a trend or an occasional indulgence—they are a foundation. The quiet constant that grounds bolder pieces, elevates everyday wear, and grows more meaningful with time. Whether worn alone or layered with pendants and treasures gathered over years, they are the starting point of a thoughtful collection.