The Squash Blossom Necklace - A Historical Timeline of Evolution
- Santa Fe Sun Handmade
- 5 days ago
- 4 min read
Updated: 4 days ago

Misunderstood?
Few pieces of Native American jewelry are as instantly recognizable as the squash blossom necklace. Bold, elegant, and unmistakably Southwestern, it has become an enduring symbol of Navajo silversmithing.
But despite its popularity, the squash blossom necklace is often misunderstood. Many people assume it has existed for thousands of years or that every part of its design originated in Native culture. The real story is much more fascinating.
Like so much of the American Southwest, the squash blossom necklace reflects centuries of cultural exchange, artistic innovation, and the remarkable ability of Navajo artists to transform outside influences into something entirely their own.

Before There Was Silver
Long before sterling silver entered the picture, Native peoples of the Southwest were already creating beautiful jewelry from materials found in the earth around them. Turquoise, shell, jet, stone, and bone were shaped into ornaments that were both beautiful and meaningful.
Turquoise, in particular, has been treasured in the Southwest for well over a thousand years. It was mined, traded across Indigenous trade routes, and valued long before Europeans ever arrived in North America. Even today, turquoise remains one of the defining elements of Southwestern jewelry.
When Silver Came to the Southwest
Everything changed during the Spanish expeditions into the Southwest in the 1500s.
Along with horses, livestock, tools, and new trade goods came decorative metalwork unlike anything Native artisans had seen before. Spanish settlers—and later Mexican craftsmen—introduced silversmithing techniques that would eventually find their way into Navajo communities.
Rather than simply copying European jewelry, Navajo artists studied these methods and adapted them to their own artistic traditions. That willingness to learn while creating something distinctly their own is one of the defining characteristics of Navajo silversmithing.
The First Navajo Silversmiths
Most historians credit a Navajo silversmith known as Atsidi Sani, or "Old Smith," with helping establish Navajo silversmithing in the mid-1800s after learning the craft from a Mexican metalsmith.
His work—and the knowledge he shared with other artisans—sparked a tradition that continues nearly two centuries later.
Early Navajo silver jewelry looked quite different from the elaborate turquoise pieces we recognize today. Many early works were fashioned from melted silver coins and featured stamped designs, bracelets, concho belts, buttons, and horse gear. Turquoise would become much more common as the art form evolved.
So...Why Is It Called a Squash Blossom?
Here's one of the biggest surprises.
The silver "blossoms" on a squash blossom necklace are not actually stylized squash flowers.
Most jewelry historians believe they evolved from decorative pomegranate blossom motifs that traveled from Moorish designs into Spanish jewelry before eventually making their way to the American Southwest.
As Navajo artists refined these forms, collectors eventually began referring to them as "squash blossoms" because of their resemblance to the blossoms of a squash plant. The name remained, even though its artistic roots stretch much farther back.
It's a perfect example of how traditions evolve over time. Navajo silversmiths didn't simply reproduce an existing design—they transformed it into something that became uniquely associated with Native American jewelry.
The Birth of the Squash Blossom Necklace
The squash blossom necklace as we know it today didn't begin appearing until the late 1800s.
By the 1880s, Navajo silversmiths were creating necklaces featuring graduated silver beads, decorative blossom elements, and the now-famous crescent-shaped pendant known as the naja.
Many of these earliest necklaces contained little or no turquoise at all. Their beauty came from carefully hammered silver, intricate stampwork, and exceptional craftsmanship.
As turquoise became more widely available toward the end of the nineteenth century, artists increasingly incorporated hand-cut stones into their necklaces. Before long, sterling silver and turquoise became one of the most recognizable combinations in Native American jewelry.
The Meaning of the Naja
The large crescent hanging at the bottom of a squash blossom necklace is called the naja, and it's perhaps the necklace's most recognizable feature.
Like the blossoms themselves, the naja has a long journey behind it. Crescent-shaped ornaments appeared for centuries in Europe, North Africa, and the Middle East before making their way to the Southwest through Spanish influence.
Once Navajo silversmiths adopted the form, however, it took on a life of its own.
One of the wonderful things about Native art is that not every symbol comes with one universal interpretation. The naja is no exception.
Depending on the artist, family, or collector, it has been associated with protection, prosperity, harmony, strength, and life's journey. Others simply appreciate it as an enduring design that connects today's silversmiths with generations of master craftsmen who came before them.
Sometimes its greatest meaning is simply the one the wearer gives it.
Every Necklace Is a Signature
Although every squash blossom necklace shares familiar elements, no two handmade examples are ever exactly alike.
Each artist leaves their own fingerprint through silver weight, stampwork, repoussé, stone selection, blossom shape, bead style, and the design of the naja itself.
Some favor clean, contemporary lines. Others create bold museum-worthy statement pieces with dozens of stones and intricate handwork that can take weeks—or even months—to complete.
That individuality is precisely what makes authentic handmade Navajo jewelry so special.
More Than a Beautiful Necklace
A squash blossom necklace isn't just another accessory.
It represents generations of knowledge passed from one silversmith to the next. It reflects centuries of cultural exchange, artistic adaptation, and extraordinary craftsmanship. And perhaps most importantly, it reminds us that great art doesn't stand still—it grows, evolves, and becomes richer with every generation.
